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Showing posts with label <b>Selah Saterstrom</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>Selah Saterstrom</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Wednesday, March 29, 2006</span></h2>

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<p class=MsoNormal><span style='color:black'><img height="165" id="_x0000_i1025" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/XC3xFjZxd5sP8NmNpLz_3Ik1JPMFMdEFHPSAPvKshpZmOMBaHXG4HaS20K7hllJ-RLkgfhrPFdB6GXEpQ2OqzSgzeGwJurUmy6YQfsnOvA%3Ds0-d" width="111"><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>I think that I expected <a href="http://www.selahsaterstrom.com/main.htm"><span style='color:black'>Selah <span class=SpellE>Saterstrom</span></span></a> to be ten, maybe 20 years, older than she actually is. That was my first thought when I met her for the first time last Saturday in <st1:place w:st="on">Chapel Hill</st1:place>, a couple of hours before we read together in the Desert City Reading Series there. Both her content &amp; her ability to handle it suggest, to me at least, someone considerably older than 30. I know that I didn&#8217;t possess the wherewithal to really confront subjects like rape, incest, alcoholism, the whole family dysfunction package, until I was much older &#8211; and, frankly, I was lucky, most of that was on the peripheries of my own story. Some folks don&#8217;t get that luxury. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Imagine<span class=GramE>,</span> if you will, <i style='mso-bidi-font-style:normal'>As I Lay Dying </i>as told by <span class=SpellE>Dodie</span> Bellamy &#8211; that might give you some sense of what reading <i style='mso-bidi-font-style:normal'><a href="http://www.coffeehousepress.org/pinkinstitution.asp"><span style='color:black'>The Pink Institution</span></a>, </i><span class=SpellE>Saterstrom&#8217;s</span> first novel, might be like as an experience. Like the Faulkner classic, <i style='mso-bidi-font-style:normal'>The Pink Institution </i>is not simply the telling of a story of a family totally out of control, with a strong Southern flavor &#8211; <span class=SpellE>Saterstrom</span> comes from Mississippi herself, tho from Natchez on the Louisiana border line, quite a bit further south than Faulkner&#8217;s Oxford &#8211; but it is also the telling of multiple generations in a very spare book. One might think of this novel as a Southern Gothic, but handled in just over 130 pages, most of which have more than a little white space, several of which have either photos or section titles or epigrams like &#8220;These songs could be heard in the ears of dogs.&#8221; Here is a chapter called &#8220;Stationery&#8221;:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.6in;margin-bottom:12.0pt;margin-left:.6in;text-align:justify'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Azalea discovered scratches on Ginger&#8217;s face. Ginger said two nuns had done it. Several days later Azalea went out shopping. The old woman who watched the children saw two nuns pulling Ginger toward the garden gate. She began a child tug-of-war with the nuns. The nuns said Ginger was a naughty child who escaped from the orphanage. The old woman began praying in tongues. <span class=GramE>haw</span><span style='mso-tab-count:1'>&#160; </span><span style='mso-spacerun:yes'>&#160; </span><span class=SpellE>skimy</span><span style='mso-spacerun:yes'>&#160;&#160;&#160;&#160; </span><span class=SpellE>malahi</span><span style='mso-spacerun:yes'>&#160;&#160; </span><span style='mso-tab-count:1'>&#160;&#160; </span><span style='mso-spacerun:yes'>&#160;&#160;</span><span class=SpellE>jeezzuz</span><span style='mso-tab-count:1'>&#160;&#160;&#160;&#160;&#160;&#160; </span><span style='mso-spacerun:yes'>&#160; </span><span class=SpellE>cr</span><span style='mso-tab-count:1'>&#160;&#160;&#160;&#160; </span><span style='mso-spacerun:yes'>&#160; </span>eye<span style='mso-spacerun:yes'>&#160; </span><span style='mso-tab-count:1'> </span><span style='mso-spacerun:yes'>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;</span><span class=SpellE>st</span>. The nuns ran away. Ginger acquired an expensive piece of stationery on which she recorded the family&#8217;s sins and annoyed them all. There was no convent. There was in 1870, but it had burned.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Ginger, as it happens, is the narrator&#8217;s aunt, a detail we don&#8217;t learn for another 35 pages, when the narrator herself first appears. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><i style='mso-bidi-font-style:normal'><span style='font-size:10.0pt;font-family:Arial;color:black'>The Pink Institution </span></i><span style='font-size:10.0pt;font-family:Arial;color:black'>seems always to be two things at once, as if <span class=SpellE>Saterstrom</span> set out deliberately to create the impossible: post-avant Southern gothic, spare &#8211; even beautiful &#8211; <span class=SpellE>bildungsroman</span>, a dense, heavy experience that is also often quite cheerful, humorous &amp; a &#8220;quick read&#8221; &#8211; I completed it in one day, quite a contrast from <i style='mso-bidi-font-style:normal'>Don Quixote</i> which I&#8217;ve been working my way through for six months now, with at least five left to go yet. If <i style='mso-bidi-font-style:normal'>The Pink Institution&#8217;s</i> not perfectly successful &#8211; I felt like the sections in which the narrator appears toward the end were less sharply defined, as if this were the one portion of the tale <span class=SpellE>Saterstrom</span> herself couldn&#8217;t quite imagine &#8211; it&#8217;s an imperfection that reveals just how absent of flaws the rest of this volume actually is. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>I&#8217;d read bits &amp; pieces of this book on the web, part of my homework preparing for my visit to <st1:place w:st="on">Chapel  Hill</st1:place>. But I don&#8217;t think that&#8217;s the way to read this book at all. You really ought to immerse yourself in it for a day to pull up all of its rewards. It will make you stop &amp; contemplate whatever parallels might exist in the histories of your own family. This book would also, as I think the passage above clearly suggests, make for a great audio CD or, better yet, a marathon reading by the author, cover to cover in a single evening or day. But should that ever happen, you may be surprised, I think, by the sunny young person who shows up as its author. <o:p></o:p></span></p>
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<b>October</b><br /><br />Madrid<br />with Charles Bernstein & Susan Bee<br /><br />Barcelona<br /><div><br /><br />Saragossa?<br /><br /><b>November</b><br /><br />Rome?<div><br /></div><div><br /></div></div>
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<li><a href='http://www.poets.org/poet.php/prmPID/1544'>Academy of American Poets</a></li>
<li><a href='http://epc.buffalo.edu/authors/silliman'>Electronic Poetry Center</a></li>
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<li><a href='http://www.pcah.us/the-center/grants-awarded/grantees-1998-ron-silliman/'>Pew Fellowships in the Arts</a></li>
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<li><a href='http://ronsillimanbibliography.blogspot.com/'>Silliman's Bibliography</a></li>
<li><a href='http://www.spdbooks.org/Search/Default.aspx?AuthorName=Ron+Silliman'>Small Press Distribution</a></li>
<li><a href='http://eclipsearchive.org/projects/TOTTELS/'>Tottel's</a></li>
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<li><a href='https://library.ucsd.edu/speccoll/findingaids/mss0075.html'>UC San Diego Archives</a></li>
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<h2 class='title'>Ketjak</h2>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<h2 class='title'>Other Books in Print</h2>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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